Coca-Cola wins Creative Brand of the Year for the first time (The 2024 LIONS Creativity Report Rankings)

12 September 2024 – The LIONS Creativity Report, the ultimate global benchmark for impactful creativity, has released its definitive rankings today. Based on performance from Cannes Lions 2024, the report shows benchmarked work of creative excellence, along with the insights and impact of the results it delivered, demonstrating how the world’s most creative businesses are using creativity as a lever for growth and progress.

Highlights from the rankings include Coca-Cola taking Creative Brand of the Year for the first time, with its brands receiving 17 Lions. Manolo Arroyo, EVP and Global Chief Marketing Officer, The Coca‑Cola Company, commented: “The Coca-Cola Company believes creativity is a superpower that drives growth, inspires people and – most importantly – ignites change.” WPP was named Creative Company of the Year, with its collaboration with Coca-Cola helping to secure three Gold Lions for ‘Thanks for Coke-Creating’, plus 14 more Lions across four pieces of work. Elsewhere in the rankings, the United States takes the leading spot in the Location rankings, followed by Brazil in second place, moving up a place from 2023, and Germany moves four places up, to reach fifth place.

Simon Cook, CEO, LIONS, said: “The LIONS Creativity Rankings shows creatives and marketers – agencies and brands – the creative marketing that matters, so that they can fuel their pursuit to create better, drive business growth and shift culture. The official rankings are a celebration and a powerful tool for future success, while the report is impact-led and built with analysis from the Lions Awards, to deliver tangible examples of how creativity can drive progress. Congratulations to all those who have ranked this year and have contributed to setting the global creative benchmark. We look forward to releasing the 2024 people rankings, as part of the Talent Report, in November.”

The LIONS Creativity Report features seven Regional Network of the Year awards and 12 global awards, including Creative Company, Network, Agency, Independent Network, Independent Agency, Creative Brand and Palme d’Or, as well as Health Network, Healthcare Agency and Media Network.

Five subsequent reports will be released based on the 2024 core Festival streams: The Creativity Toolbox, Creative Impact, Innovation Unwrapped, Talent and Culture and Insights and Trends. Each report, available to all through LIONS’ insights and intelligence platform The Work on 17 October 2024, will showcase awarded work, insights from Jurors and winners and highlights from the Cannes Lions stages.

The LIONS Creativity Rankings are available to view here.

Sourced from Cannes Lions Press Team.

The WARC Awards 2025 – everything you need to know

Creativity & effectiveness Global Strategy:

The WARC Awards are back for 2025. All five regional shows are now open seeking strategies that worked and marketing with impact.

Find out more and download the entry pack here

The WARC Awards were significantly restructured in 2024, but there are no major changes this year – the focus is on encouraging entrants to submit the best versions of their case studies to add to WARC’s ultimate database of knowledge for the marketing community.

Insight on the awards

Potential entrants are invited to join one of three webinars where WARC’s Awards Lead John Bizzell will be joined by an impressive line up of judging alumni to discuss what it really takes to win and share behind-the-scenes insights into the judging process.

“We want to lean into the unique and comprehensive combination of resources WARC offers marketers to be the best that they can be to make their awards case studies truly excellent,” says John. “The WARC Awards 2025 are going to be our best showcase of marketing strategy yet.”

All webinars take place on 1 October 2024: 

  • WEBINAR #1: Hear from APAC jury member Gautam Ramdurai, CEO of Snowbird Global Advisory, on the universal dos and don’ts of entering effectiveness awards and best-in-class examples from amongst the 2024 APAC winners.
  • WEBINAR #2: Hear from Europe jury chair and Grand Prix jury member Tanja Grubner, Global Innovation, Brand & Communications Director for feminine care at Essity, on the essentials of award-winning work and which 2024 winners from EMEA you should learn from.
  • WEBINAR #3: Hear from North American jury chair and Grand Prix jury member Yusuf Chuku, EVP of Client Advisory at NBCUniversal, on the best way to write an awards entry and his favourite winners from across the Americas in 2024.

Submissions will continue to be judged to the consistent standards laid out in the Creative Effectiveness and the B2B Effectiveness Ladders.

Key dates:

  • 3 September 2024: Open for entries 
  • 16 October 2024: End of early-bird entry fee, €555 
  • 13 November: End of mid-point entry fee, €832.50 
  • 11 December: Final deadline, €1110

Bronze, Silver and Gold winners for each region will be announced in 2025 and then the Gold winners will automatically progress to compete against each other in the global Grand Prix championship. Both regional and global WARC Awards wins can count towards the WARC Rankings. 

Find out more and download the entry pack here

 

Just so you Know: Social Media Platforms that Cater to Hobbies Gain Popularity

Social Media Audiences & Strategy

Niche social media platforms and apps that cater to hobbies and smaller communities are seeing a jump in active users as more and more people seek a smaller internet experience than the likes of Facebook and Instagram can provide.

What’s going on?

According to Bloomberg – which quotes figures from market intelligence firm Sensor Tower – there has been a notable rise in how many people have subscribed to hobby-based platforms such as Letterboxd (for movie enthusiasts); Strava (fitness and running app); and All Trails (a hiking app). These platforms have seen a rise in active users in the last year of 55%, 20%, and 10% respectively.

Speaking to Bloomberg earlier this year, Michael Martin, CEO of Strava, said growth rates are 2x in countries like the UK and France. Letterboxd, meanwhile, had over 14 million users this year, up from 1.8m in 2020, according to the company.

Martin, from Strava, ascribes some of this trend to people getting “tired” of traditional social media networks such as Facebook. He told Bloomberg that he sees signs in the data that people are seeking “real connections”.

Small communities, new opportunities!

Some see big social media platforms catering more to creators than regular users. Julia Alexander, a former reporter at The Verge who now blogs at Posting Nexus, argues that people want connection but big tech firms want scale, as this drives advertising and profits. As a result, people are posting less on social media, pushed out by professional creators and frustrated that their feed no longer is about their friends.

And it’s a trend seen at Creator Ventures, an investor in internet technology. Managing partner and co-founder Sasha Kaletsky told Fortune that social media networks are increasingly “distribution platforms rather than follower platforms”.

As people seek more control over their content, they are heading over to smaller communities such as Letterboxd, where they can share experiences. The app for movie buffs organises screenings ahead of a film’s release for members. These advanced screenings can be useful for capturing sentiment and “for figuring out a more targeted marketing campaign,” Gemma Gracewood, Letterboxd’s editor-in-chief, told Bloomberg.

Why hobby-based platforms matter!

As more people seek connections with people who share a passion, there’s an opportunity for brands to build relationships with a committed community of users. Strava, for instance, has partnered with Mexican food chain Chipotle and Brooks, a maker of running shoes.

According to a best practice article for WARC, content makes community, and community creates opportunity. “If brands want to reach their audiences, they need to fish where the fish are.”

Sourced from Bloomberg, Fortune, Posting Nexus, WARC

 

We Welcome Elikem to the Industry

Vincentia Elikem Kpodo-Tay is a marketer who specializes in SEO and Digital Marketing. As a content Creator, she’s constantly using innovative strategies to connect with her audience and build platforms. When she is not working, Elikem says you may find her relaxing in bed reading African fiction or nibbling on some plantain chips.

Elikem has BA in Political Science from the University of Ghana and Master of Arts in Brands & Communication Management from the University of Professional Studies (UPSA).

She joins AAG as a Digital Executive to manage the association’s online presence with specific focus on AAG’s website and all its social media handles.

AAG Begins Agency Spotlight Series

 

There is so much that member agencies of the AAG do in building solid global brands, influencing consumer choices, helping corporate organizations grow their bottom lines and businesses, contributing substantially to the economy of Ghana, growing the advertising industry, providing direct and indirect jobs, influencing political communication, and many more.

Our member agencies do these big things for brands, organizations and the Ghanaian economy from behind the curtains, without saying much about themselves and the people that lead to make these things happen. As an umbrella association and leading body for the industry, AAG has initiated a ‘Spotlight Series’ on the association’s website and social media handles to highlight the work and achievements of our colourful member agencies.

The ‘Spotlight Series’ began from August 2025 and would focus on one agency each month. Apart from publishing the successes and impact of the selected agencies, it would also feature the CEOs and leaders of the published agencies. The ultimate objective is to let the world know about the impact of these advertising agencies on the industry and the general business ecosystem in Ghana and in Africa.

 

AAG Resource Person’s Wow Participants at the Essential Advertising Skills Training

Participants at the professional development training held last month (July) have been talking about the expertise, delivery and depth of the resource persons who wowed them with what they have described a true package of industry experience. The resource persons for the training in July were Professor Robert E. Hinson of the Ghana Communication Technology University, Andrew Ackah of Denstu Ghana, and Beryl Agyekum Ayaaba of EchoHouse.

 

There were four areas of focus at the 3-day professional training session, covering areas such as contemporary events management that produce impact; winning client service skills; personal branding, and skills needed to move into leadership within the advertising space.

The following are a few of the comments from the participants: Josephine from MX24 “The training exceeded my expectation; I didn’t think it would have this kind of depth”. Dela from SSNIT: “Andrew’s delivery and insight on leadership skills were captivating. Leadership lectures are usually stiff and boring; but this was practical and very engaging”. Frederica from Sodium Brand: “I had heard about Beryll and what EchoHouse has been doing in the industry; but listening to her directly about their techniques, and seeing their pre-production videos was another experience altogether”. Ida Smend from SSNIT: “I love the content of the training and experiencing Professor Hinson in person was worth it”. Ekow from Global Media Alliance: “I have been to each event organized by EchoHouse; but the content shared here is eye-opening. AAG must organize more of these hands-on training sessions”.

Look out for our next professional training opportunity, coming up in October/November 2024

AAG and MEST Partner to Provide Internship & Career Opportunities for Over 200 Graduates in Digital Marketing

The advertising Association of Ghana (AAG) and the Meltwater Entrepreneurial School of Technology (MEST), have entered into a partnership to provide internship and other career opportunities for young Ghanaian graduates with digital marketing and web developing skills. The partnership, which promises to give access to about 300 young graduates from the two specified fields, will cover a period of three (3) years.

According to the details of an MoU signed by the two organizations, graduates from MEST would be given internship and subsequent employment opportunities with member agencies of the Advertising association of Ghana. MEST, funded by the Mastercard Foundation, is a globally acknowledged technology institution that trains young unemployed graduates to acquire employable skills in technology.

Even before the MoU would be signed by MEST and AAG, over 30 graduates from MEST who are Digital Marketers and Web Developers have got the opportunity to work with 12 member organizations of the Advertising Association of Ghana, and the number keeps increasing each week. The Advertising Association of Ghana has over 300 member organizations (agencies).

 

Gong Gong Festival of Creativity to be Held Within First Quarter of 2025

The Executive Council of AAG has decided to hold the next Gong Gong Awards ceremony as part of a total festival of creativity within the first quarter of 2025. The event would take the form of a week-long festival to celebrate creativity within the advertising industry in Ghana. Although a specific date is yet to be given for the week-long celebration, March 2025 is most likely be the month for the industry’s revered festival. It is expected that the awards categories for the “Refreshed Gong Gong” would be totally new and in line with other globally-recognized awards.

To kick-start the journey to next year’s Gong Gong, over 15 Creative Directors and Executive Creative Directors (CDs & ECDs) had an initial meeting in June to discuss the ‘Refreshed Gong Gong’ festival. The CDs and ECDs are set to meet again early September to firm up the new awards categories and the mode of celebration of the advertising week. As part of the journey to next year’s event, there would be a number of events from September, this year leading into 2025:

  1. A workshop on the new categories will be held to brief all CDs, ECDs, GCDs, ACDs, MDs, BDs and CEOs on the new awards categories and their requirements.
  2. Call for entries will happen this year, and
  3. There will also be announcement of the judges for the awards.

The refreshed Gong Gong Festival of Creativity promises to be a great show that would reflect the advertising industry’s true caliber.

Insights From the 2024 Cannes Creative Effectiveness Lions Winners

Creativity & effectiveness Strategy:

Consistency, simplicity and tapping into fandoms at scale are the keys to creative effectiveness success, according to a new WARC report, Creative Effectiveness Lions – Insights from the 2024 winners.

What it’s about 

The report, which is available exclusively to WARC subscribers, analyses the entries and has insights into the jury’s deliberations to provide a commentary on the themes from the work, unearth what makes a campaign both creative and effective, and offer a behind-the-scenes view of the strategies that lead to winning in this category.

Why the 2024 winners matter

John Bizzell, WARC’s awards lead, explains that the 2024 Creative Effectiveness Lions jury set themselves a mission to “seek causality in every case” – with clear evidence that the campaign had directly caused business impact.

 

“You can really see that in the winners they chose and that makes this year’s crop a particularly powerful resource for marketers to learn from and be inspired by,” he says.

Three key themes 

  • The power of consistency
    Consistency plays a key role in building mental availability and salience. Being consistent might mean investing in distinctive brand assets, or commitment to a long-running campaign. Brands like Heinz, Dove, Mastercard and Spotify maintained commitment to long-standing strategies, but did so in ways that are fresh and exciting. 
  • Keying into cultures at scale
    Successful brands are combining approaches that key into cultures and sub-groups with sophisticated mass marketing. PedidosYa, Oreo and Budweiser all built campaigns around sporting fan truths, but then used those insights to go large and win.
  • Simplicity is a virtue
    Simple felt like the most used word in the Creative Effectiveness Lions jury room this year, in a very positive way. Simplicity might mean finding an emotional connection, or finding simple solutions to customer pain points, as McDonald’s and Honest Eggs Co showed.

The full report is available to WARC Strategy subscribers

AI Often Makes Workers Less Productive

Generative AI Talent, skills, HR Strategy:

A study of 2,500 workers suggests that current AI tools are not saving them time and has given them more to do, making many anxious that they can’t deliver on the productivity boosts expected by bosses.

Why the productivity problem matters

AI has great potential, but also many risks – balancing these two sides is key to using the technology effectively. Pressure to deploy the technology, whether or not another might actually do the job better, leaves employees in a tricky spot. In part, that’s because not that many time-saving, killer-app use cases are forthcoming; if they are, it would appear that many people would love to hear about them and how to put them into practice.

AI is meant to speed up work, but its output is fallible and it’s the employee on the line as the responsible human in the loop. Processes and systems have not caught up to a system that heaps risk onto the employee in the face of a technology that is expected to radically affect many professions.

What’s going on

A study from Upwork Research Institute, the research division of the talent marketplace – based on a survey of 2,500 global workers, freelancers, and executives – found that 77% believe AI tools have decreased their productivity and added to their workload. As the chart shows, employees have been asked to be both more productive and to learn the new skills to deploy a fallible technology, often at the same time.

What appears to be happening, according to the research, is that a push for productivity at the executive level – 81% say they have increased demands on workers in the last 12 months – has come before any real evidence of AI’s ability to increase it. Despite this, they are bullish on the technology, even though just 26% have put AI training programs in place; only 13% say they have a well-implemented AI strategy.

Some of the figures around employee sentiment are sobering:

  • 47% of employees using AI say they have no idea how to achieve the productivity gains their employers expect.
  • 39% report spending more time reviewing or moderating AI-generated content.
  • 65% report struggling with employer demands on their productivity.
  • 39% are required to use AI tools by their employers.

Analysis

Technologies take time to really change the way the world works. For instance, while Amazon began selling books back in the mid-90s, it was not until the 2020s that e-commerce reached the mainstream. Technology is just one piece of the puzzle; culture, meanwhile, is much harder to change.

This is especially true when the technology comes wrapped up in so many existential labour questions for workers and an existential threat potential for humanity. For many consumers, the term AI is something of a turn-off; for employees, even those under direct pressure to start using the technology, it’s possible that a similar sentiment is at play.

Recently, we’ve seen a spate of new advertisements from tech companies about the uses of AI. During the Olympics, its ‘Dear Sydney’ spot drew widespread derision – though as The Drum’s John McCarthy writes, this was largely a failure of the advertising basics as much as it was evidence that adland and the public do not see eye to eye on AI. In the UK, Google has the radio DJ and TV presenter Maya Jama fronting a campaign in which she asks Google’s Gemini assistant for tips for a trip to Barcelona with unconvincing results.

In short, a lot of the available examples show what this tech could be used for rather than how to use it in a business setting right now, without lots of additional reviewing work. From a productivity perspective, can the measures of success move beyond the quantity of work made and the speed at which it is produced and toward improved outcomes: more innovation, greater adaptability to resilience, improved client outcomes?

What next? 

How are you using AI? Is it making you faster and more efficient? Whether you’re using a company’s internal AI system or your own system, let us know how you’re using the technology.

Sourced from Upwork, WARC, The Drum. Image: Upwork